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Silent Night cover image The Long Road
written and illustrated by Luis Garay


Themes include: history, geography, culture, language, government, refugees
About this book:

A memorable book about an unforgettable and true journey.


Teaching Ideas:

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Before reading the book:

This story centers around two universal concepts: "journey" and "home." These concepts are explored through the story of a young boy from Central America who must flee from his comfortable home and his country when civil war breaks out. To assist students in developing a framework within which to make connections to the story, begin a discussion, or have them write comments in a journal, using the following questions:

 What does "home" mean? What does it mean to "be home"?
 Have you ever had a home other than the one you are living in now? What do you remember of it? What similarities do your two homes have? What are their differences?
 If you have ever moved from one home to another, what was it like? What was good about moving? What was difficult about it?
 What are some of the reasons why people might leave one home and move to another?


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bullet As you read the book:

1. Read as far as the scene where José is visiting his grandmother at Christmas time, then pause for a discussion. Talk about, or have the students write answers to, the following questions:
 What do we know about José's life right now? What does he like to do? With whom does he live? What is his home like?
 The story says, "On Christmas Eve as José snuggled into the spare-room bed at Grandma's house, he closed his eyes and felt as though he couldn't be happier." Why do you suppose he feels so happy? Give specific examples and reasons to support your opinion.

2. Identify the first turning point. Read the three pages that describe what happened in José's village, his secret journey with his mother, and the scene where José's mother speaks with a man at a desk. Then pause, and explain to the students that a significant change has happened to José; the story has reached a turning point, and it is important that they understand what has happened. Ask the students to indicate anything that confuses them at this point and to pose any questions they may have.

3. Recognizing conflict. One type of conflict that often occurs in a story is a psychological conflict, where a person is struggling with a problem or conflict in his or her own mind. Psychological conflicts often have to do with feelings. Read further in the story until you reach the page opposite the scene in the shelter. Point out for students the passage that reads, "José had never felt so desolate. He could only think, 'I have no home. I have no friends.'" Remind them of the time at Christmas when José had felt as though he couldn't possibly be any happier than he was at that moment. Invite students to use clues from the pictures as well as from the story to identify differences between the home that he had left and the situation in which he found himself at the shelter. Some differences might emerge in the categories of people and relationships, language and culture, and physical surroundings and objects.

4. Moving towards a resolution. In a classic story pattern, the conclusion involves some resolution of the story's major conflict. Before reading to the end of the book, remind students of José's feelings of desolation, his sense that he had no home. Ask them to watch for clues that José is beginning to construct a new sense of "home" in his adopted country. What are the specific elements that contribute to the feeling he expresses at the end of the story: "For the very first time, José felt that the long road that had led him here could be a road to happiness he had not known since an evening long ago in the kitchen of his Uncle Ramon"?

If students seem able to enter into a more nuanced and complex discussion, ask them next to identify what is still incomplete about José's happiness. Call the students' attention to the passage on a page opposite the picture of a snowman, which reads, "For a minute he closed his eyes. He was swept up by the aroma, and by the Spanish voices he did not need to strain to understand. For a moment he thought his heart would break." Point out, too, that when his mother asks him, "José, isn't this just like being at home?", José does not directly respond. What can we infer about José's feelings from this exchange?


bullet After reading the story: extension activities

1. Map skills: Identifying our homes and our journeys. In José's new classroom, his teacher had posted a map and each of the students had marked on the map the journey that had brought them there. Post three maps in your classroom: a map of your city, a political map of your country or continent, and a map of the world. On the map of your city, identify the location of your school. On the map of your continent, identify the location of your city. On the map of the world, identify the location of your city again, and point out the boundaries of your country. Explain to students the concept of scale, using the idea of "zooming out" and "zooming in" for a close-up look. (If you have a computerized atlas or internet access to a map collection, you can demonstrate the "zooming" function further using the computer's zoom tools.)

Next, invite the students to mark their homes on these maps using pushpins, and then connect the homes using lengths of yarn. Students who have moved between homes in the city will mark those journeys on the city map, while students who have moved from one state or province to another can use the national or continental map. Lastly, some students will need to use the world map to indicate their journeys. Those students who have never moved could map the journeys of their parents or grandparents instead, or they could serve as "assistants" to other students who might have a lot of mapping to do.

2. Mapping a journey like José's. José and his mother had a particular challenge: they had to travel from Central America to North America secretly because they were afraid they would be attacked or captured by soldiers. Using a detailed map, locate Central America, and then point out to students that author Luis Garay came from the country of Nicaragua. Trace some routes that José might have taken to travel north. Name the countries he would pass through, and look for clues that indicate types of terrain, such as mountains or rivers, that he and his mother would have encountered. Point out where the large cities are found, and where the small towns and villages are located.

On the map, explore the borders between countries that José might have encountered on his journey. Point out how much of the border between the United States and Mexico is formed by the Rio Grande River (a natural physical border), while the western border is formed by straight lines as if someone had taken a ruler and drawn it (a man-made border). Then examine the other borders between Central American countries. (Consider visiting www.nationalgeographic.com/mapmachine for excellent satellite maps of all the Central American countries.) In what ways were they formed? Try to infer which borders might have been difficult to cross because they involved natural boundaries, such as mountains or water.

Point out to students that there are several types of roads, or highways, that travelers use: dirt pathways, paved roads, railroads, and waterways. What might be the advantages and disadvantages of each type of road for refugees such as José and his mother? Using a detailed political map of Central America, try to trace different routes they might have taken out of Nicaragua, by land, along rail lines, and by water, and consider the benefits and hardships of each.

3. Cultures and traditions. Many cultures celebrate birthdays, but not all cultures celebrate them in the same ways. Together with students, brainstorm a list of typical elements of a North American birthday party: cake, candles, a certain song, gifts, loot bags, etc. Then, research birthday traditions in other cultures, including those in Central America. What do North American birthday celebrations have in common with celebrations in other cultures? What is different or unique about our celebrations? Ask students to select the one element of North American birthday celebrations that they would most want to preserve, or bring with them, if they were to travel to another culture. Then, ask them to choose one birthday tradition from another culture that they would most like to adopt.

4. Language for survival. One of the biggest challenges José and his mother faced was that of learning English. Have the class list the activities that a new immigrant might need to engage in: shopping for household goods, buying food, looking for a job, reading a map or public transit timetable, seeing a doctor. Divide the students into groups, each with a category from the list such as "buying food" or "driving." Provide each group with a Spanish-English dictionary. Each group's task is to brainstorm a list of ten to twenty essential words in their category that a new immigrant would need to know. Using index cards or small pieces of paper, each group member could write down a pair of Spanish and English words, accompanied by an illustration, and then the separate cards or pieces of paper could be bound together into an "essential words for newcomers" book.

As an extension to this activity, have students indicate what areas of the world new immigrants to their community are coming from. Create "essential words" collections in the languages of these immigrants and donate them to a local social services agency, or another group that works with immigrants, as welcoming gifts "from children to children."

5. Refugees in North American history. Nearly everyone who lives on our continent of North America can trace the story of their family's arrival to an earlier time; in other words, we are all the descendants of immigrants, whether they be immigrants of ancient times, of a century ago, or of just a few months ago. Many people immigrated to this continent by choice, to seek a better life, but throughout our history there have been people who have come here as refugees, driven out of their homelands against their will by disasters such as war and famine. José and his mother were refugees; they were unable to remain safely in their home or country. To help students understand that refugees have always been a part of our continent's history, introduce them to stories such as these that follow. Encourage students to look for similarities to the story of The Long Road.
 Charlotte, the story of loyalist refugees fleeing from New York to Nova Scotia after the Revolutionary War. See also Tundra Teacher Guide: Charlotte.
 The Dancer Who Flew: A Memoir of Rudolf Nureyev, which tells the recent story of a famous Russian ballet dancer who defected to the United States to escape oppressive conditions in his own country.
 A Child in Prison Camp, which tells the tale of Japanese internment during World War II.
 They Sought a New World, which examines European immigration to North America in all its courage and pain.

Also consider having older students research the Underground Railroad movement in the mid-nineteenth century, and the "sanctuary" movement for Latin American refugees that was especially active in American churches during the 1980s.

6. Career connection: social services and sanctuary in your community. Invite a representative from a local social services agency or cultural center to speak to your students about work he or she does in assisting immigrants as they adjust to life in a new country.

7. Civics and government: after immigration, becoming a citizen. Have students research the steps that a person must go through to obtain citizenship in your country. What does it mean to be a "permanent resident"? What benefits are there to becoming a citizen? What must a person know and be able to do in order to achieve citizenship? What are the costs? Which branch of the government handles this procedure? What are some obstacles that might make it difficult for a person to become a citizen? Introduce students to the concepts of passports, "green cards" (USA), "landing papers" (Canada). Consider a visit to the local government agency that handles citizenship issues in your area. Invite an immigration lawyer to discuss some of the ways he or she helps immigrants overcome the difficulties involved in becoming a citizen. Finally, discover whether citizenship swearing-in (induction) ceremonies take place in your area, and see if you can make arrangements for your class to attend one of those ceremonies.


Tundra Teacher Guides:

Amazing Grace, Charlotte, Dippers, The Legend of the Panda, Lucy Maud and the Cavendish Cat, A Mountain Alphabet, Silent Night

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